Enos: More About The Wilderness

Enos & The Wilderness

Heading into the wilderness to gain insight is not merely a product of modern life and Sondheim’s Into the Woods. The ancient world is full of gurus stepping away from agricultural and urban centers to find themselves and effect contact with deity.

However, one major difference exists between then and now. For much of history, that stepping away was a risk, challenge, and sacrifice. The praying petitioner was stripped of day-to-day concerns and self-protection. It is possible that hunter-gatherers included unorthodox members who traveled alone for the fun of traveling alone. It is also possible that such members were considered practically pathological and usually ended up dead.

When Saint Anthony the Great made his way into the “wilderness”—as numerous gurus had done before him—what mattered was the arduous nature of the experience. Nature was not one’s friend. Nature was, quite literally, the thing that would end your life.

Charles G Finney

In All the Trouble in the World, P.J. O’Rourke writes about Petrarch’s hike up Mount Ventoux, “During his brief sojourn upon the Ventoux peak, the poet stood astride the medieval and modern ages—the first European to climb a mountain for the heck of it, and the last to feel like a jerk for doing so.”

Joseph Smith

Acclaims to nature exist in early Western and Eastern literature. In one of my master’s courses, the professor and some students tried to convince the rest of us that nobody was awestruck by the Grand Canyon until Western civilization told them they should be. So much nonsense! (Academic theories, despite the jargon, are often disturbingly self-centered.) Multiple Native American tribes centered their religious ceremonies in the Grand Canyon. They weren’t exactly doing it in the middle of Kansas.

Okay, maybe they did—but my point stands: a remarkable natural occurrence is a remarkable natural occurrence, from waterfalls to the aurora borealis. Observant humans have always commented on nature’s awe-inspiring products—just look at cave paintings.

What changes are the tropes, the ways in which those wonders are addressed. Human beings are social animals. Once one person goes into the wilderness not to be challenged or to die but to be inspired and comforted, everybody is going to start going for the same reason, and they will use the language (as both writers and translators) that relates to that trope.

Both patterns run through the nineteenth century. Jonathan Edwards—despite terrifying a generation of Congregationalists with “Sinners in the Hands of an Angry God”—was a big believer in nature’s spiritual influence. A Puritan’s goal was to undergo a personal conversion and/or reckoning. Nature could help that individual comprehend God’s glory and God’s love.

The connection between contemplation and nature would take off with the Transcendentalists. Though he likely would have disapproved of some of their notions, they are Edwards’ philosophical heirs.

Nineteenth-century readers would have related to both purposes attached to nature: inspiration/comfort—personal challenge/sacrifice. Both run through both Nephi and Enos’s experiences: sunk deep into my heart, wrestle, hungered, guilt swept away, pour out, struggling, unshaken, labored. The Wilderness is an unfriendly place where one struggles. The Wilderness is a place where one retreats and prays and learns.