Kate: Many Twelve Kingdoms novels definitely meet Campbell’s criteria for the hero cycle. The hero/heroine collects helpers throughout the journey. Yet in Poseidon, the Taiho and his emperor stand out as almost bewilderingly prepared to forge on alone—sans helpers (and in disguise). Are they deliberately unique, the exception that proves the rule?
Eugene: In
Poseidon of the East, Ono leverages the universality of the heroic
journey by taking the hero and his helper halfway around the cycle. Shouryuu
essentially ends up at the bottom, having lost everything in Japan and being
offered a ruined kingdom as the reward. However, knowing where they end up, we
can take the second half of the cycle as a given.
Do you want a kingdom of your own? |
At its heart, it's an origins story, with the
option of leaving the second half of the heroic journey until later. In Shadow
of the Moon, Youko completes the journey, but the first half of the story
is about letting go of the past. The Wings of Dreams takes a more
conventional approach. Like Luke Skywalker, once the journey begins, Shushou
doesn't look back.
Taiki walks the toughest road in the Twelve
Kingdoms. Both The Demon Child and The Shore in Twilight leave
him at the bottom of the cycle. The story structure could be compared in
several ways to Poseidon of the East, only spanning four separate
novels.
This time, the reader has no idea how the journey will end. That resolution doesn't arrive until Hills of Silver Ruins.
Thoughts on Kirin/the Taiho to follow!
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