Jane Eyre Revisited: Here I Go Again!

Jane Eyre (1944), starring Orson Welles and Joan Fontaine

Joan Fontaine is more an Austen heroine than a Bronte one. She took on Jane Eyre at the age of 27 and exhibits all the confident maturity of, well, a 27-year-old woman. (She would make an excellent Elinor!) She comes off as didactic and well-meaning rather than smitten and raw.

This is more of a problem than it sounds. Fontaine's Eyre lacks mischievousness--in a later version, when commanded by Rochester to entertain him at the piano, Jane plays an overly performed tune, knowing it will irritate Rochester (similar to playing "Somewhere Over the Rainbow" or singing Whitney Houston's "I Will Always Love You" for an American Idol audition). Later film Janes--and for that matter book Jane--enjoy deliberately poking the bear.

1944 Jane, however, is more into "taming" the beast than provoking him. She endures Rochester's bullying not only passively but sympathetically ("oh, the poor man"). Consequently, she becomes a pitiable figure rather than an intrinsically tough one. Instead of studying Rochester objectively with eyes hooded, she seems to look past him to what he represents (husband material). Book Rochester would HATE that. While Orson Welles growls and beetles his brows and runs about in gorgeous (and well-fitted) dressing gowns, I keep expecting Joan Fontaine to say, "Oh, and when did you want your washing done, honey?"

On multiple occasions, the movie informs its audience that Jane loves and admires Rochester. Yet without the repartee--the arguing!--of other versions (and the book), that "fact" must be taken entirely on faith. Are they truly good friends? Eh... 

Peggy Ann Garner

The 1944 version does have good stuff. Orson Welles clearly comprehended his character (even if Fontaine didn't "get" hers) and delivers Rochester's best lines with deep-throated eloquence. As mentioned above, I love his clothes. I like his dog!

The movie is also beautifully filmed and impressively fast-paced. An adaptation of Jane Eyre takes anywhere from 2 to 4+ hours. 96 minutes--without the loss of anything of great importance--is impressive. (The one flaw, as mentioned above, is that the audience doesn't see Jane and Rochester's relationship grow.)

Amanda Root

As for casting Jane Eyre, the child Jane Eyre, played by Peggy Ann Garner, is exactly right. For black & white, Margaret Sullavan (if the film had been made 10 years earlier) would have made a fantastic Jane. (More recently, Amanda Root even at 32--when she did Persuasion--could have captured the essence of Jane.)